LIGHTING FILTERS

Filter #	Color	Color Swatch	Description	Standard 2" Core 48"x25'	HiTemp 48"x13'	Fluoro Tube	Wide 60"x20'	1" Core 48"X25'
002	Rose Pink		Strong pink wash cycloramas.		x
003	Lavender Tint		Subtle cool wash for stage and studio lighting.		x	.
004	Medium Bastard Amber		Naturally enhances skin tones.		x
007	Pale Yellow		Sunlight.		x	x
008	Dark Salmon		Enhances dark skin tones, sunsets, ballroom sets.		x
009	Pale Amber Gold		Late sunlight.
010	Medium Yellow		Sunlight effect.			x
013	Straw Tint		Sunlight wash with gobos, interior lighting.		x
015	Deep Straw		Strong mood effect on backings with yellow bias.
017	Surprise Peach		Skin tones - mood light.		x	x
019	Fire		Disco effect - fire effect.
020	Medium Amber		Late sunlight.
021	Gold Amber		Fire effect, sunset.
022	Dark Amber		Backlight.			x
023	Clementine		x	x		x
024	Scarlet		Pantomimes, ballroom sets, fire effects.			x
025	Sunset Red		Warm stage wash - TV studio wash - sunset effect.		x	x
026	Bright Red		Cycloramas.
027	Medium Red		Cycloramas.			x
029	Plasa Red		Fire effect, musicals, cycloramas.		x	x
033	No Color Pink		Musical revues, warm wash lighting, colorwash.		x
035	Light Pink		Musical reviews. Warm wash.		x
036	Medium Pink		Front of house lanterns.		x
039	Pink Carnation		Soft, cool pastel pink, good for backlighting and general colorwash.			x
040	Rioja		x	x		x
045	Dark Rose		x	x		x
046	Dark Magenta		Very strong pink, good for back lighting.			x
048	Rose Purple		Musical revues, discos, etc. cycloramas.			x
049	Medium Purple		A strong cheerful glow, good for cycloramas and pantomimes.
052	Light Lavender		Set dressing, pantomimes and musicals.		x
053	Paler Lavender		Subtle cool wash.		x
056	Romany Blue		x	x		x
058	Lavender		Backlight.
061	Mist Blue		Night scenes, cool wash.			x
063	Pale Blue		Cycloramas, cool wash.		x	x
068	Sky Blue		Night effect, cycloramas.
071	Tokyo Blue		Deep blue, use for midnight scenes, cycloramas.		x
075	Evening Blue		Good for night scenes, romantic moonlight.
079	Just Blue		Cycloramas.			x
085	Deeper Blue		Moonlight, strong back lighting.
088	Lime Green		Use with gobos for leafy glades - pantos - slightly sinister atmosphere.		x	x
089	Moss Green		With gobos for forest scenes.
090	Dark Yellow Green		Highlighting for forest effects.			x
100	Spring Yellow		Sunlight wash - use with gobos - disco - dark skin tones.		x	x
101	Yellow		Sunlight and window effect - pleasant in acting areas.
102	Light Amber		Lamplight effects - dawn sun effects - pleasant in acting areas.		x
103	Straw		Pale sunlight through window effect - warm winter effect.		x	x
104	Deep Amber		Mood effect on backings. Backlighting of floor and color effect.		x	x
105	Orange		Mainly light entertainment, functions. Fire effect if used with 106, 166, 104.		x
106	Primary Red		Strong red effect, cycloramas.		x
107	Light Rose		Mood effect on backings. Backlighting of floor and color effect.		x	x
108	English Rose		Warm tint wash - dark flesh tones - softer skin tones.		x	x
109	Light Salmon		Interesting backlight.		x	x
110	Middle Rose		Pleasing effects for theatrical lighting.		x	x
111	Dark Pink		Good for cycloramas.		x
113	Magenta		Very strong - used carefully for small areas on set.		x
115	Peacock Blue		Pleasing effect on sets, cyclorama cloths, back lighting (e.g. ice rinks, galas, etc).		x
116	Medium Blue-Green		Pleasing effect for theatrical lighting.
117	Steel Blue		Gaslight effect when used in conjunction with 213.		x
118	Light Blue		Strong night effect.		x
119	Dark Blue		Mood effects, jazz clubs, moonlight.
120	Deep Blue		Pleasing effect for theatrical lighting.
121	Evergreen		Cycloramas.
122	Fern Green		Cycloramas - good for mood effect.		x	x
124	Dark Green		Cycloramas - good for back lighting.			x
126	Mauve		Cycloramas - good for back lighting.
127	Smokey Pink		Cycloramas - set lighting, discos.		x
128	Bright Pink		Cycloramas - good for back lighting - strong effect.
129	Heavy Frost		Used for soft light effect (75 micron base)		x	x
130	Clear		Used in animation and projection work.			x
131	Marine Blue		Romantic moonlight - ballet - underwater scenes.		x	x
132	Medium Blue		Set lighting - travelling matt blue, cycloramas, night.			x
134	Golden Amber		Fire effect (doubled up).		x	x
135	Deep Golden Amber		Fire effect.		x	x
136	Pale Lavender		Pantomime, ballroom sets, enhances dark skin tones in follow spots.		x	x
137	Special Lavender		Moonlight, musical / romantic scenes, enhances skin tones.		x	x
138	Pale Green		Good with gobos for wooded scenes.		x	x
139	Primary Green		Set lighting, cycloramas.
140	Summer Blue		Warm blue - cycloramas - tint wash.		x	x
141	Bright Blue		Pretty or romantic moonlight, cycloramas, night.			x
142	Pale Violet		Moonlight, cycloramas, highlighting pot plants.			x
143	Pale Navy Blue		Moonlight, cyclorama night effect.		x	x
144	No color Blue		Moonlight for green seas, cycloramas with 147 to produce sunsets.		x	x
147	Apricot		Sunrise, sunset, lamplight.		x	x
148	Bright Rose		Fire effects, musicals.		x	x
151	Gold Tint		Pleasing effect for theatrical lighting.		x	x
152	Pale Gold		Interior lighting to enhance skin tones.		x	x
153	Pale Salmon		Backlighting in conjunction with white light.		x	x
154	Pale Rose		Pleasing effect for theatrical lighting, lamplight.		x	x
156	Chocolate		With 103 Straw in same lantern to produce candlelight.		x	x
157	Pink		Dance sequences (useful for softening white costumes without affecting skin tones).		x	x
158	Deep Orange		Fire effect.		x
159	No color Straw		Warm effect, sunlight.		x	x
161	Slate Blue		Moonlight and dusk.			x
162	Bastard Amber		Warm white, warm wash, lamp light.		x
164	Flame Red		Fire effect.
165	Daylight Blue		Moonlight.		x	x
166	Pale Red		Cycloramas.		x	x
169	Lilac Tint		Ballroom - dance - backlight - front of house.		x	x
170	Deep Lavender		Set lighting - discos - theatres.		x	x
172	Lagoon Blue		Flood lit warm wash - underwater scenes - ballet.		x	x
174	Dark Steel Blue		Set lighting - creates good moonlight shadows.		x	x
176	Loving Amber		Sunrise backlight.		x
179	Chrome Orange		Combination of 1/2 CTO and double strength 104, sunlight.		x	x
180	Dark Lavender		Pleasing effects for theatrical lighting, backlighting.		x	x
181	Congo Blue		Theatre and television effect lighting, back lighting.
182	Light Red		Theatre and television effect lighting, cycloramas.		x	x
183	Moonlight Blue		Moonlight, cycloramas.		x	x
184	Cosmetic Peach		Pale tints complementary to key lighting.		x	x
185	Cosmetic Burgundy		Pale tints complementary to key lighting.		x	x
186	Cosmetic Silver Rose		Pale tints complementary to key lighting.		x	x
187	Cosmetic Rouge		Pale tints complementary to key lighting.		x	x
188	Cosmetic Highlight		Pale tints complementary to key lighting.		x	x
189	Cosmetic Silver Moss		Pale tints complementary to key lighting.		x	x
190	Cosmetic Emerald		Pale tints complementary to key lighting.		x	x
191	Cosmetic Aqua Blue		Pale tints complementary to key lighting.		x	x
192	Flesh Pink		Musical and pantomime key lighting.		x
193	Rosy Amber		Warm, emotional, romantic.		x	x
194	Surprise Pink		With 193 for musicals.		x	x
195	Zenith Blue		Moonlight for dark sets, cycloramas.		x	x
196	True Blue		Moonlight.		x	x
197	Alice Blue		Moonlight, cycloramas.			x
198	Palace Blue		Dark moonlight - romantic evening.		x	x
199	Regal Blue		A deep lavender blue that strongly enhances skin tones.
200	Double C.T.Blue		Converts tungsten to daylight.		x
201	Full C.T.B.		Converts tungsten to photographic daylight.		x
202	Half C.T.B.		Converts tungsten to daylight.
203	Quarter C.T.B.		Converts tungsten to daylight.
204	Full C.T.O.		Converts daylight to tungsten light.		x
205	Half C.T.O.		Converts daylight to tungsten light.		x
206	Quarter C.T.O.		Converts daylight to tungsten light.		x
207	Full C.T.O. + .3ND		Converts daylight to tungsten 6500^oK to 3200^oK and reduces light 1 stop.		x
208	Full C.T.O. + .6ND		Converts daylight to tungsten 6500^oK to 3200^oK and reduces light 2 stops.		x
209	.3 ND		Reduces light 1 stop without changing color		x
210	.6 ND		Reduces light 2 stops without changing color		x
211	.9 ND		Reduces light 3 stops without changing color		x
212	L.C.T.Yellow		Reduces color temperature of low carbon arcs to 3200K.		x	x
213	White Flame Green		Corrects white flame carbon arcs by absorbing ultra violet.		x	x
214	Full Spun		Soft lighting effect		x	x
215	Half Spun		Soft lighting effect		x	x
216	White Diffusion		Soft lighting effect (50 micron base)		x	x		*
217	Blue Diffusion		Used for soft light (50 micron base) increases color temperature sltightly		x	x
218	Eighth C.T.Blue		Converts tungsten to daylight.			x
219	Fluorescent Green		General tungsten to fluorescent correction for use when fluorescent color temp is unknown, to provide medium correction.		x	x
220	White Frost		Used for soft light effect (75 micron base)		x	x
221	Blue Frost		Used for soft light effect (75 micron base) increases color temperature slightly		x	x
223	Eighth C.T.O.		Converts daylight to tungsten light.		x
224	Daylight Blue Frost		Soft light effect with Tungsten correction using Full C.T. Blue (75 micron base)		x	x
225	Neutral Density Frost		Soft light effect with Neutral Density (75 micron base)		x	x
226	U.V.		Transmission of less than 50% at 410nms.		x
228	Brushed Silk		Soft lighting effect		x	x
229	Quarter Spun		Soft lighting effect		x	x
230	Super CorrectionL.C.T.Yellow		Converts yellow carbon arc (of low color temperature) to tungsten.		x	x
232	Super Correction W.F.Green to Tungsten		Converts white flame arc to 3200^oK, for use with tungsten film.		x	x
236	H.M.I. (to Tungsten)		Converts HMI to 3200^oK, for use with Tungsten film.		x	x
237	C.I.D. (to Tungsten)		Converts CID to 3200^oK, for use with tungsten film.		x	x
238	C.S.I. (to Tungsten)		Converts CSI to 3200^oK, for use with tungsten film.		x	x
241	Fluorescent 5700K		Converts tungsten to fluorescent light of 5700^oK (cool white/daylight).		x	x
242	Fluorescent 4300K		Converts tungsten to fluorescent light of 4300^oK (white).		x	x
243	Fluorescent 3600K		Converts tungsten to fluorescent light of 3600^oK (warm white).		x	x
244	Plus Green		Approximately equivalent to CC30 green.		x	x
245	Half Plus Green		Approximately equivalent to CC15 green.		x	x
246	Quarter Plus Green		Approximately equivalent to CC075 green.		x	x
247	Minus Green		Approximately equivalent to CC30 magenta.		x
248	Half Minus Green		Approximately equivalent to CC15 magenta.		x
249	Quarter Minus Green		Approximately equivalent to CC75 magenta.		x
250	Half White Diffusion		Half strength 216		x	x		*
251	Quarter White Diffusion		Quarter strength 216		x	x		*
252	Eighth White Diffusion		Eighth strength 216		x	x		*
253	Hampsire Frost		Light frost effect		x	x
254	New Hampsire Frost		x	x		x
255	Hollywood Frost		Light frost effect - softens edges		x	x
269	Heat Shield		Designed to increase life of filter, install between light source and filter, ensure circulation of air around light source, heat shield and filter.		x	x
271/4	Mirror Silver / Gold Reflector		x		x	x
272	Soft Gold Reflector		x		x	x
273	Soft Silver Reflector		x		x	x
278	Eighth Plus Green		Provides very slight green cast.		x	x
279	Eighth Minus Green		Provides very slight correction.		x	x
281	Three Quarter C.T.B.		Converts tungsten to daylight.		x	x
285	Three Quarter C.T.O.		Converts daylight to tungsten light.		x	x
298	.15 ND		Reduces light � stop without changing color	x	x
299	1.2 ND		Reduces light 4 stops without changing color	x	x
303	Pale Gold		Interior lighting to enhance skin tones.		x
306	Medium Lemon		Television - set lighting.		x	x
308	Medium Straw		Television - set lighting.		x	x
309	Special Straw		Television - set lighting.		x	x
311	Flame		Fire Effect.		x	x
312	Cherry Blossom		x	x		x
313	Special Light Amber		Television - set lighting.		x	x
315	Special Golden Amber		Television - set lighting.		x	x
317	Dark Amber		Backlight.		x	x
321	Light Red		Television Effect lighting, cycloramas.		x	x
322	Soft Green		Cool green, use for gobo cover, pantomime, cycloramas.		x	x
323	Jade		Use for underwater scenes, cycloramas, backlighting.			x
325	Mallard Green		Good for mood setting, undergrowth.		x	x
327	Forest Green		Deep green, sinister forest scenes, cycloramas, backlighting.		x	x
328	Follies Pink		Dramatic stage lighting.		x	x
332	Special Rose Pink		Pantomimes, light entertainment etc. strong stage wash.			x
339	Rose Purple		Television, discos, cycloramas.		x
340	Surprise Lavender		Television.		x	x
341	Plum		Romantic, atmospheric set lighting.		x	x
343	Special Medium Lavender		Theatre and T.V. effect lighting, backlighting.		x	x
344	Violet		Dusk effect, good skin tones, romantic effect.		x	x
345	Fuchsia Pink		Musical revue, pantomime, sultry scenes.		x	x
346	Fushsia		x	x		x
349	Pale Blue		Cool wash, cycloramas.		x	x
350	No Color Blue		Cold blue, good for cool atmospheric mood setting.		x	x
352	Glacier Blue		Cold blue, good for cool atmospheric mood setting.		x	x
353	Lighter Blue		Daylight effects.		x	x
354	Special Steel Blue		Cooling blue-green wash for stage and set lighting.		x
357	Special Medium Blue		Mood effects.		x	x
360	Bright Blue		Television.		x	x
361	Surprise Blue		Television.		x	x
363	Special Medium Blue		Cool moonlight, mood effects.		x	x
366	Cornflower		Seasonal mood lighting, pale moonlight.		x	x
371	Light Green		Television, cycloramas.		x	x
378	Yellow Green		Television.		x	x
380	Golden Amber		Television - set lighting.		x	x
381	Rose Purple		Television - cycloramas.		x	x
382	Medium Purple		Television.		x	x
383	Light Green Blue		Television -pleasing effects for lighting.		x	x
384	Sky Blue		Television - night effect.		x	x
385	Deeper Blue		Moonlight - strong backlights (television).		x	x
386	Dark Bastard Amber		Television.		x	x
410	Opal Frost		Used for soft light effect		x	x
416	Three Quarters White Diffusion		3/4 strength 216		x	x
420	Half Opal Frost		Soft light effect		x	x
441	Full C.T. Straw		Converts 6500^oK to 3200^oK - daylight to tungsten light with yellow bias.		x	x
442	Half C.T. Straw		Converts 6500^oK to 4300^oK - daylight to tungsten light with yellow bias.		x	x
443	Quarter C.T. Straw		Converts 6500^oK to 5100^oK - daylight to tungsten light with yellow bias.		x	x
444	Eighth C.T. Straw		Converts 6500^oK to 5700^oK - daylight to tungsten light with yellow bias.		x	x
450	Three Eighth White Diffusion		3/8 strength 216		x	x
452	One Sixteenth White Diffusion		1/16 strength 216		x	x
701	Provence		The color of the Lavender fields of the south of France. A redder version of 180 for use on cameras balanced to tungsten sources.
706	King Fals Lavender		A cold Lavender
708	Cool lavender		For use as a warmer tint without turning yellow and to recreate the color of fluorescent lighting.
710	Spir Special Blue		A cool industrial blue.
712	Bedford Blue		Smoky, warm blue.	x		x
713	J. Winter Blue		Very dark blue with high UV content. Moody and powerful stage colour wash.	x		x
714	Elysian Blue		Moonlight, cycloramas.	x		x
720	Durham Daylight Frost		Very dark blue with high UV content. Moody and powerful stage colour wash.	x		x
722	Bray Blue		Pure blue with very little red in it.	x		x
723	Virgin Blue		This is a pure blue, not too green and not too lavender, yet still feels warm for a blue with an early morning feel.	x		x
729	Scuba Blue		Musical performances for rear colour wash.	x		x
735	Velvet Green		Beautiful background green. Victorian melodrama.	x		x
736	Twinkenham Green		A powerful green with depth, for music or light entertainment.
740	Aurora Borealis Green		Primary jungle color. Removes some red and blue. Works best with daylight bulbs. Sodium lamp effect.
741	Mustard Yellow		Spooky when used in haze. Removes some red and blue. Workds best with daylight bulbs. Sodium lamp effect.
744	Dirty White		Correct a daylight source to an off white tungsten source. Used with a tungsten source provides a "dingy" effect like a smoky bar.
747	Easy White		Primarily developed for fluorescents to ensure warm, comfortable light and flattering skin.
749	Hampsire Rose		Combines flesh tone warmer 154 with some Hampsire Frost.
770	Burnt Yellow		A color that feels warm and dense on camera, a balance between 179 and 105.
773	Cardbox Amber		Warm tint for skin tones.
774	Soft Amber Key 1		Used for producing a warm key light color.	x		x
775	Soft Amber Key 2		Used for producing a warm key light color.	x		x
787	Marius Red		Nice deep full red. Rose leaf color.
798	Chrysalis Pink		Deep lavender with dash of rose blusher	x		x
799	Special K.H. Lavender		A deep Lavender that brings out the UV.
F1	White Diffusion		Soft light effect (50 micron base)		x	x
F2	White Diffusion		Soft light effect (50 micron base)		x	x
F3	White Diffusion		Soft light effect (75 micron base)		x	x